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Friday, December 23, 2005

Is Prejudice a Mental Illness?

Stephen Soldz

Bigotry and extreme prejudice are repugnant to many, including the victims and those engaged in furthering progressive social values. Various attempts have been made to encompass that reaction in social mores and attitudes. A new approach among certain mental health professionals to get extreme prejudice to be declared a diagnosable mental illness included in the official list of diagnoses superficially bears promise in objectivizing that repugnance.
A recent article in the Washington Post, “Psychiatry Ponders Whether Extreme Bias Can Be an Illness,” discusses this attempt to create a new diagnosis for extreme racism and other forms of extreme prejudice. It presents the argument of some that extreme prejudice is so compulsive and damaging to the prejudiced person that it should be viewed as a mental illness deserving its own diagnosis.
While radicals and progressives may be tempted to jump on this bandwagon as a weapon in their battle to have racism and prejudice recognized for the personal and social harm they cause, this effort is unjustifiable intellectually and is politically likely to backfire....(FULL ARTICLE)

www.dissidentvoice.org

Friday, December 09, 2005

An Open Letter To the Congress of the United States


Monica Benderman

...My husband sits in a military prison because he dared to speak the truth. This war did not need to happen. He didn't care if he had the support of the American people. He risked everything to tell the truth, his health benefits, his children's college education, his career, and everything he had worked for, including ten years of honorable service, and a combat tour in Iraq. The truth was more important to him, and he was sent to prison on trumped up charges because he was not afraid to stand alone and speak it. His command presented false testimony, manipulated evidence and lost witnesses and ultimately sent him to prison, to keep him from telling the truth. BUT he persisted – and today we persist together – the TRUTH matters – and in the end the TRUTH wins.

What are you doing to tell the truth? What are you willing to risk? Not one thing.
You sent our soldiers to war to protect your elected office. You banded together because you saw the polls and you knew it was what the American people wanted. Why did they want it? Because a president, vice president, secretary of defense, secretary of state and a myriad of tongue-wagging, drooling groupies all gathered together and told them this administration could be trusted. Somewhere in the mix, people forgot – POWER CORRUPTS – and most assuredly makes those who believe they have the power forget.

You forgot that the American people put their trust in you to lead them well, as one of us – with integrity, and honesty – with the TRUTH... Read the Full Text

Kevin Benderman Defense Committee
Kevin Benderman Timeline

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HAROLD PINTER NOBEL SPEECH

Thursday, December 08, 2005

'Clandestine in Goa'


Faizal Khan/UNI

He was a close friend of Salvador Allende once. Later he became a daring exile who defied General Pinochet and subject of a Marquez book. Today, he is one of the most famous Latin American directors ever.Chilean Miguel Littin has come a long way ever since that horrible moment in his life when his country's President and his own hero, Allende, was assassinated in a coup by Pinochet in 1973.

Ask him what he feels about slipping into Pinochet's Chile disguised as a wealthy Uruguayan businessman shooting a commercial for a French cosmetics company, and he starts to feel uneasy. ''It's all over. All that is past. I live in the future,'' Littin, who is in Goa as the chairman of the jury for the 36th International Film Festival of India (IFFI), told UNI.

Littin's emotions are understandable --- his best friend dead and gone, a decade-and-a-half in exile and his hatred for Pinochet. He shrugs his shoulders and starts to move away at the very mention of the Chilean dictator and you start to wonder whether this grey-haired man was the same person who shot footage inside Pinochet's private office.

Littin was the head of the Chile Films when 9/11 happened to his own country three decades before it happened to the United States, which was blamed for backing the General. As Communist leader Allende's friend, he was right on the top of the list of the 'most wanted' people after the coup on September 11, 1973. After he fled, he became one of the 'most wanted' exiles.

Twelve years after he left his country, Littin returned to Chile to direct three foreign film crews to tell the outside world what was happening under military dictatorship. Make-up artists altered his face and hairstyle and linguistic experts changed his Chilean accent. The result: his own mother did not recognise him in Chile.

For Gabriel Garcia Marquez, a fellow Latin American, Littin's 'illegal' film had behind it another film that would probably be never made. "This may not have been the most heroic action of my life, but it was the most worthwhile," Marquez quotes the filmmaker in the introduction to his book on the adventure --- 'Clandestine in Chile'. Chilean authorities impounded and burned 15,000 copies of the book in 1986.

Salman Rushdie called Littin's return to Chile an underground adventure, which ''contrives to represent and dramatize the heroic resistance of countless other Chileans, some successful, many other tortured or disappeared'' during Pinochet's rule.

Littin, whose 2005 film 'La Ultima Luna' (The Last Moon) is part of the Cinema of the World section at IFFI, is living every moment of freedom in Chile. ''It's a democracy now. There is freedom of expression. The people can speak whatever they want to speak,'' says Littin, who likes India, the world's largest democracy, more than its films.

Miguel Littin

Miguel Littin Interview

Films NYT reviews

Art, Truth & Politics


Harold Pinter Nobel Lecture

...As every single person here knows, the justification for the invasion of Iraq was that Saddam Hussein possessed a highly dangerous body of weapons of mass destruction, some of which could be fired in 45 minutes, bringing about appalling devastation. We were assured that was true. It was not true. We were told that Iraq had a relationship with Al Quaeda and shared responsibility for the atrocity in New York of September 11th 2001.

We were assured that this was true. It was not true. We were told that Iraq threatened the security of the world. We were assured it was true. It was not true.

The truth is something entirely different. The truth is to do with how the United States understands its role in the world and how it chooses to embody it.

But before I come back to the present I would like to look at the recent past, by which I mean United States foreign policy since the end of the Second World War. I believe it is obligatory upon us to subject this period to at least some kind of even limited scrutiny, which is all that time will allow here...

Click here for FULL TEXT

HAROLD PINTER

Pinter demands war crimes trial for Blair -- Guardian

Pinter rails against US in Nobel prize speech -- Telegraph

Tuesday, December 06, 2005

Filmmaker turns poster boy for IFFI


Tony Tharakan

When filmmaker Albert arrived for the 36th International Film Festival of India, he was amazed to find not a single poster of his Malayalam film 'Kanne Madanguka' had been put up at the venue. Although discouraged by the apparent mismanagement, the enterprising director decided to take matters into his own hands.

"I began putting up my film's poster when anotherman arrived and asked me to put up a poster. I had toexplain to him that I am a filmmaker, not a posterboy," recalls Albert. Despite the lack of publicity, 'Kanne Madanguka'opened to a full house at IFFI 2005, forcing thefirst-time director to tone down his criticism of theorganisers.

"It's no big deal. I have done similar things formy film even in Kerala. The film is my child and Ihave no complaints," the filmmaker, who uses only hisfirst name, said. The low-budget 'Kanne Madanguka' was shot in 15days and features newcomers in every sense of the word- with the director, scriptwriter and actors makingtheir debut with the film.

Inspired by a true story, the film narrates thedark tale of a ruthless society forcing girls to earntheir living through prostitution. The success of the film in the Indian Panorama section here has reinforced Albert's belief in himselfand he now plans to re-release it in Kerala.

"It was not marketed properly the first timearound and we think the film now has a better chancewith added publicity," he said. Next up for the Malayali director is ahard-hitting film which tries to analyse the reasonsfor the growing number of divorces and suicides inGod's own country.

"We boast of cent per cent literacy in Kerala. Atthe same time, we have the highest rate of divorcesand suicides. My new film will delve into reasons forthis," Albert said.

Sunday, December 04, 2005

INSTANTS a poem by jorge luis borges


If I could live again my life,
In the next - I'll try,- to make more mistakes,
I won't try to be so perfect,
I'll be more relaxed,I'll be more full - than I am now,
In fact, I'll take fewer things seriously,
I'll be less hygenic,I'll take more risks,
I'll take more trips,I'll watch more sunsets,
I'll climb more mountains,
I'll swim more rivers,
I'll go to more places - I've never been,
I'll eat more ice creams and less (lime) beans,
I'll have more real problems - and less imaginaryones,
I was one of those people who live prudent
and prolific lives -each minute of his life,
Offcourse that I had moments of joy - but,if I could go back
I'll try to have only good moments,
If you don't know - thats what life is made of,
Don't lose the now!
I was one of those who never goes anywhere
without a thermometer,
without a hot-water bottle,
and without an umberella and without a parachute,
If I could live again - I will travel light,
If I could live again - I'll try to work bare feet
at the beginning of spring tillthe end of autumn,
I'll ride more carts,
I'll watch more sunrises and play with more children,
If I have the life to live - but now I am 85,
and I know that I am dying ...

biography -- jorge luis borges

quotations -- jorge luis borges

Premieres rock the boat at IFFI

Tony Tharakan

Premieres and controversiesseem to go together at the 36th International FilmFestival of India. The hubbub over 'Parzania' and'Apaharan' had hardly died down when the premiere offilmmaker Aditya Bhattacharya's 'Dubai Return' got off to a rocky start today (Dec 3).

The screening had been delayed by 15 minutes and the restive audience was in no mood to accord latecomers Bhattacharya, producer Manya Patil,filmstars Irrfan Khan and Ritu Shivpuri a patienthearing.

When an audience member vehemently asked the organisers to do away with the presentation ceremony,director Bhattacharya lost his cool and asked the protestor to "Go home." Organisers managed to salvage the situation andthe screening went on as scheduled but the director'soutburst managed to rub several people the wrong way.

Defending himself at a press conference laterthis evening, Bhattacharya said the man's behaviour had upset him. "A movie theatre is like a temple and that man was disturbing the sanctity of the temple for me," he said.

IFFI 2005 has been plagued by similar instancesof world premieres being beset by altercations. Earlier this week, 'Parzania' a controversialfilm based on the post-Godhra riots led to a fracasinside the auditorium after some persons alleged thefilm was biased and portrayed the Hindu community in a bad light.

Filmstars Sarika and Om Puri could only stand andwatch as certain members of the 300-strong audienceraised slogans against director Rahul Dholakiafollowing the screening. Two days ago, irate scribes and spectators ventedtheir anger on 'Apaharan' director Prakash Jha, actors Ajay Devgan and Bipasha Basu after they arrived anhour late for the screening.

The commotion only ended after Jha, Devgan and Basu apologised to the audience and left the auditorium.

Saturday, December 03, 2005

Scribes allege discrimination at IFFI


Tony Tharakan

Media personnel at theInternational Film Festival of India here today voicedconcern over several "outside agencies" being handedthe mandate of fixing up interviews with celebrities.
"It has been seen that these outside agencies arediscriminatory and have allowed only select mediaorganisations access to celebrity delegates forinterviews," several journalists told Directorate ofFilm Festivals (DFF) Director Afzal Amanullah at a feedback session here today.

"The same situation exists when it comes to filmparties wherein invitation cards are given only to afew journalists," they claimed. The journalists demanded that media interactionswith celebrity delegates should be set up only throughthe Press Information Bureau.

"If any outside agency is to be involved, itscommitment has to be fixed in consonance with theoverall control and functioning of the PIB," they said. Refuting the charges, Amanullah said only the PIBhad the mandate to fix up interviews with celebritydelegates at the film festival. However, the DFF chief said that he would lookinto the matter.

Motorcycle taxis lifeline for IFFI delegates

Stuck in Goa with notransport and little money to spare? Flag down amotorcycle taxi and snatch a pillion ride to anywherein the state. Hundreds of visitors at the International Filmfestival of India are doing just that - forking outfrom just Rs 10 upwards to reach their destinations inGoa.

The two-wheeler taxi, known locally as the Pilot,is the most popular mode of transport in a statenotorious for its abysmal bus service. "Try and take the motorcycle taxi. It's much morereasonable," Goa Secretary for Information andPublicity, Debashree Mukherjee, advises delegates atthe International Film Festival of India here.

Ideal for short distances, the yellow-huedmotorcycle taxis are a welcome alternative to buses and autos in Goa. Even Chief Minister Pratapsingh Rane agrees it'snext to impossible to find a bus in the evenings whileseveral delegates complain of the times auto-drivershere have fleeced them.

Thursday, December 01, 2005

'Apaharan' premiere at IFFI rocked by ruckus


Tony Tharakan
The world premiere offilmmaker Prakash Jha's film 'Apaharan' at theInternational Film festival of India was marred by afracas this evening after the director and filmstarsAjay Devgan and Bipasha Basu arrived an hour late forthe screening.
Irate scribes and spectators vented their anger onthe trio and the commotion only ended when Jha, Devganand Basu apologised to the audience and left theauditorium. The screening, already delayed by an hour, wasstarted only to be interrupted ten minutes later.
Organisers were miffed with television crews whowere filming scenes from the movie despite beingwarned not to do so. The screening resumed only afterthe braodcast journalists left the auditorium. The high-profile premiere, seemed doomed from thestart, with more than five hundred people being giveninvitations in a 300-seat auditorium, which resultedin the hall being jampacked and many people with validinvites being turned away by organisers.
Several people had been waiting in line at theINOX multiples here since five in the evening for themovie which was scheduled to begin an hour later. Confusion reigned supreme with mediapersonswaiting in one auditorium for the stars of the filmeven as the celebrities were ushered into theadjoining hall which was screening the filmsimultaneously.

UK tourist in Goa to relive 'Taal' heyday

Tony Tharakan

Seven years ago, a Britishtourist in India walked on to the set of SubhashGhai's 'Taal,' worked as an extra for a day and walkedaway. Circa 2005, Pip Gascoigne is back. In Goa for theInternational Film Festival of India, the 41-year-oldhopes to hobnob with the stars once again.

He hadn't realised it at the time but the two-bitsequence in the Bollywood blockbuster was to be hisclaim to fame years later. "One day I was walking down a street in New Delhiand this kid kept pointing to me and mouthing 'Taal,'"says Gascoigne.

"It was then that I realised the power of cinemain India. My face was shown in the movie for someseconds and yet this kid managed to identify me fromamong the thousands of foreigners around," he says. Gascoigne, who has his own construction businessin London, had been introduced to the casting agent of'Taal' by a mutual friend and decided to do the moviefor a lark.

"It certainly wasn't for the money although theydid paid me Rs 3,500 for the day's work. I just wantedto have some fun," he says. The Briton did two scenes in the movie for whichhe had to cut his hair short and put on a fakemoustache. For his first scene, Gascoigne was requiredto make some women members of the cast laugh. "I have no idea who they were but Aishwarya Raiwas certainly not one of them," he says.

"I was supposed to be talking and making themlaugh in that particular sequence. I didn't know howto do that so I ended up telling them some jokesinstead," he adds. Gascoigne's second scene featured a close-up ofhim speaking to actor Anil Kapoor.

"I realised how professional the Indian actorsare. They do so many takes to get the perfect shot,"he said adding that he got the scene right afterseveral takes. A white suit specially stitched for him has beenkept by Gascoigne as a reminder of his short stint inBollywood.

Back in London, he watches Hindi movies on cabletelevision, harking back to the one moment when heshared screen space with Indian filmstars. Now in Goa for IFFI 2005, Gascoigne hopes to getanother chance to perform under the arclights.

Indian documentary to premiere in New York

Tony Tharakan

IFFI's loss is New York'sgain. An Orissa filmmaker's documentary which didn'tmake it in time for the International Film Festival ofIndia will now be screened at the Big Apple. Santosh Gour's 'Sakhi Pila' (Odissi Boy Dancer) is part of the South Asian International Film Festivalbeginning in New York on December 7, and has baggedthe rare honour of being screened at Ziegfeld - thelargest movie theatre in the US.

The 35-minute documentary in English depicts thecenturies-old Gotipua tradition of boys dressing up aswomen and dancing in the temples of Orissa. Shot on a limited budget of Rs 20 lakh in Puri,Konark and Bhubaneswar last year, the film waspremiered at the Ebensee International Film Festivalat Austria where it caught the eye of SAIFF organisers.

Gour now has bigger plans up his sleeve for 2006. "I am currently working on a feature film to beproduced by a Spanish producer which deals with thetravails of a village youth who arrives in the big badworld of Mumbai," the ex-FTII graduate told PTI.

'Sadheikala Chhau dance' - Gour's documentary onthe Chhau dance form of Orissa is ready for release.The filmmaker is currently working on three otherdocumentaries to be completed in the coming year. Gour has previously shot eight films in the 35 mmformat making his directorial debut with 'The SilentDusk' in 1993. Retrospectives of his films were heldat Cologne in Germany and Jamshedpur in 2002.

MIFF 2006 does away with censor stipulation

Tony Tharakan

In a major victory forvotaries of free expression, films selected for theMumbai International Film festival will no longer haveto produce a censor certificate to be eligible for thebiennial event. "The film festival has done away with thecriterion of having a Censor Board certificate forsubmitting entries," Festival Director Raghu Krishna told reporters here today.

Last year's edition of MIFF had been mired incontroversy after several filmmakers withdrew theirsubmissions from the festival and held a parallel filmfestival titled 'Vikalp'. The 2006 Mumbai International Film Festival willkick off on February 3 and is the ninth in the seriessince its inception in 1990.

Organised by the Films Division of the Ministryof Information and Broadcasting, the festivalshowcases documentaries, short films and animationfilms from around the world. "We are attempting to show films which are notshown anywhere. This year, there are 186 entries inthe international category and 388 submissions in thenational competition," Krishna said.

Outstanding films in various categories areselected by an International Jury for Golden andSilver Conches with cash prizes aggregating to Rs 27.5lakh. "This year, the panel for the internationalsection includes filmmakers Lisa Goldwin, Sato Makoto,Lasse Noukharinen and John Akomfrah. An Indianfilmmaker will also be part of this jury," Krishna said.

"Filmmakers Gautam Bora, K Hariharan and ManjiriDutta will be judging the national competition," headded. A veteran documentary filmmaker will be conferredthe V Shantaram Lifetime Achievement Award during thefestival.

MIFF 2006 will include retrospectives on filmsfrom the SAARC nations, Iran, Germany as also specialscreenings of Oscar winners and nominees. A collection of films on various dance forms will also be showcased at the festival.

According to Krishna, the festival aims to serveas a platform where the filmmakers can meet, exchangeideas, explore the possibility of co-production andmarket their films.

Wednesday, November 30, 2005

Chance encounter with journos led to 'Page 3'

Tony Tharakan
The rather insipid scene of acouple of journalists getting into an auto-rickshawsparked off filmmaker Madhur Bhandarkar's creativeinstincts at a time when he was grappling with theidea of making 'Page 3'. "I had this vague idea about doing something onthe party circuit, but was stumped about the point ofview to be used in the film," Bhandarkar told reporters here today.
The acclaimed director of 'Chandni Bar' and'Satta' was driving back from a party in Mumbai someyears ago when he saw some journalists haggling withan auto-rickshaw driver. "They had also just come from the party.Half-an-hour back, they were in the midst of filmstarsand immmediately afterwards, these journalists wereback in the real world of autos and buses," Bhandarkar recalled.
The incident struck the filmmaker strongly and hedecided to capture the lives of the rich and famousthrough the eyes of a journalist, played by actressKonkona Sensharma in the film. Bhandarkar's film - a cynical portrayal ofcelebrity party culture - achieved both critical andcommercial success when it was released early thisyear.
It also garnered an automatic place in the IndianPanorama section of the International Film Festival ofIndia here by virtue of its winning the National Awardfor Best Film this year. "The film was very much appreciated at the Pragueand Los Angeles film festivals and we intend to takeit to many such festivals abroad," Bhandarkar said.

First Indo-Italian film to roll in 2006

Tony Tharakan

The saga of an Indian urchinwho realises his dreams is set to become the first Indo-Italian project under the film co-productiontreaty signed by the two nations this year. The film, an adaptation of a book by Italianfillmaker Sergio Scapagnini, is to be directed by India's Goutam Ghose and will go on the floors in2006.

The Story of Lala - based symbolically on thelegend of Ulysses - is in the first stages of production and Ghose is working on the script," Scapagnini told PTI on the sidelines of the 36thInternational Film Festival of India here.

The 59-year-old filmmaker said he was pleased to bethe first beneficiary of the May 2005 co-productiontreaty between India and Italy. "We are currently location-hunting for the film,which is to be shot in India and at Naples in Italy,"Scapagnini said.

Renowned actor Omar Sharif, who also stars in thefilmmaker's project 'Fire At my Heart,' is expected tobe part of the new venture. "As for Indian stars, Ghose has worked with top-notch Bollywood stars in the past and I'm sure there would be several in the film. However, that's the director's call," Scapagnini said.

At the moment, the filmmaker is on the lookout fora talented Indian boy who would play the title role ofLala in the film. Apart from 'The Story of Lala,' no other project isin the pipeline for Scapagnini as of now. "The film is such a great challenge that I don'tdare put other initiatives in my mind," he said.

According to an Italian Embassy official, theco-production treaty seeks to remove any obsatcles tofilmmkaing and provided various incentives forIndo-Italian co-productions. "The interest in the Italian filmmaking industryhas to be seen to be believed. We brought around 1,300kg of books and material for the IFFI Film Bazaar andit's disappearing fast," Italian Embassy CulturalCentre Director Patrizia Raveggi told PTI.

Sergio Scapagnini maintains that Indian and Italianfilmmakers have been collaborating on projects evenbefore this year's treaty. "The first such film 'Vrindavan Film Studios' - afilm entirely shot in India - was made ten years agounder the direction of Italy's Lamberto Lambertini,"he said.

The film featured several Indian stars includingSonali Kulkarni and was premiered at the 1996 editionof the film festival. "Half the cast and crew had been from India," saysScapagnini, whose production house 'IndrapurCinematografica' had produced the movie.

The filmmaker went on to produce a documentary 'The Impermanence, a journey into the world of the DalaiLama', directed by Ghose, which had its world premiereat the Venice Film Festival last year.

Scapagnini has also distributed several Indianclassics in Europe, including those made by thelegendary Satyajit Ray, and also roped in Bengaliactor Soumitro Chatterji to speak at several Rayretrospectives abroad.

The filmmaker feels that Goa is a fabulous venuefor holding the International Film Festival of India. "The government should think of giving facilitiesfor film aficionados to come here so that it can also become the hub of cine lovers like the Venice FilmFestival," he said.

An Indophile, who believe it or not, is currentlyon his 62nd visit to India, Scapagnini says he lovesthe country and its people. "I make it a point to visit Indore whenever I come,as my closest Indian friends, whom I met 20 years ago,are based there," he said. Incidentally, the filmmaker has named hisproduction house 'Indrapur' after the ancient name ofthe city of Indore.

Parzania -- Filmmaker, actress stands by film

Tony Tharakan

Filmmaker stands by controversial film on Godhra riots
Despite the strong reactionevoked by his film based on the Godhra riots,filmmaker Rahul Dholakia has said he is ready toscreen 'Parzania' in Ahmedabad. "If we filmmakers do not express our thoughts, weare as guilty of the crime as those that committedit," he told reporters at the International FilmFestival of India here.

Dholakia, who hasn't managed to find a distributorfor the film, said he wanted more people to see thefilm and was ready to take it to schools anduniversities for private viewings. "I am ready to show the film even in Ahmedabad,"he said.

The world premiere of 'Parzania', depicting thetravails of a Parsi couple who lose their son to theGodhra riots, had been marred by a fracas on Saturdayafter some audience members alleged it was "biased andportrayed Hindus in a bad light."

The film, based on a true story, had been passedby the Censor Board with only a few minor audio cuts,Dholakia said. "I don't think a screening of my film will lead toviolence. It's not a pro-community film. It'spro-humanity," he said. "Everyone is entitled to their opinion. It's afilm bound to provoke discussions," he added.

However, the director blamed the media for playingup the reactions of a minor section of the audience. "We made the film with a great sense ofresponsibility as we didn't want to miss with it. Itis sad that the media forgot about all the audiencememebers who praised the film," Dholakia said.

Sarika bats for the controversial 'Parzania'
Standing by her controversialEnglish film 'Parzania,' actress Sarika has said sheagreed to act in the flick because of its strongscript. Based on a real-life incident during thepost-Godhra riots of 2002, filmmaker Rahul Dholakia's'Parzania' portrays the travails of a Parsi couple(Sarika and Naseeruddin Shah) trying to trace theirmissing 10-year-old son.

"The riots are a delicate issue and it is not easyto make a film on such a topic. I agreed to do itbecause the script had been written with maturity anda sense of responsibility," Sarika said yesterday. 'Parzania' also stars Emmy-award winning actor Corin Nemec, Raj Zutshi and Parzaan Dastur.

Famous for her roles as a child star in the 1970s,Sarika recently returned to face the camera after adecade-long hiatus. "I have signed five more films although I am not ina position to reveal more about them," the actress told PTI here.

After power-packed performances in 'Parzania' andRuchi Narain's 'Kal - Yesterday and Tomorrow', Sarikaseems to have many more filmmakers queuing up outsideher door.

Film on Godhra leads to fracas at IFFI

Italian maestro misses date with IFFI

Tony Tharakan

In yet another setback forthe International Film Festival of India, renownedItalian filmmaker and actress Lena Wertmuller wouldnot be making it to Goa this year. The 77-year-old director, who is being honouredhere with a retrospective, forgot to obtain a visa andhad to return to Rome after being stopped by officialsat Frankfurt airport.

A name to be reckoned with, Wertmuller's absencehas come as a great disappointment to all lovers ofworld cinema at IFFI 2005. "It's a great loss. She is an avant-gardedirector. We were waiting to receive her at theairport when we received the sad news," ItalianEmbassy Cultural Centre Director Patrizia Raveggi told PTI today.

In a telephonic message from Italy, Wertmullerexpressed her disappointment at not being able tovisit India and exhorted Italian representatives hereto "embrace all Indians and share her love" on her behalf.

The screenings of Wertmuller's films as part ofthe retropective will go on as scheduled, Raveggiadded. According to Italian filmmaker Sergio Scapagnini,it is really sad "this stupid world still relies on visas at a time when we are dreaming of a world without passports."
"Lena had been very enthusiastic about her trip toGoa," Scapagnini, who is here for the premiere of hisItalian film 'Fire at my Heart,' said.

Wertmuller's iconoclastic approach to cinema hadearned her a sizeable cult following in the mid-70s. Her 'The Seduction of Mimi,' a comic examinationof sexual role-playing and political manoeuvering, hadgarnered Wertmuller the best director award at the1972 Cannes Film Festival.
Five of the Italian maestro's films - 'A ComplexPlot', 'The End of the World', 'The Lizards', 'SevenBeauties' and 'Swept Away' are being screened as partof a retrospective here.

Read LENA WERTMULLER

Ruskin in movie theatre after 25-year hiatus



Tony Tharakan

Thanks to the InternationalFilm Festival of India, writer Ruskin Bond came out ofhibernation to watch his first film in a movie theatreafter 25 years. Incidentally, his choice - 'The Blue Umbrella' -which premiered here yesterday was director Vishal Bharadwaj's screen adaptation of a short story writtenby Bond himself.

"It's after 25 years that I found myself inside amovie theatre. Although an avid film buff, I live inMussoorie where there are unfortunately no theatresnow," the 71-year-old author said today. 'The Blue Umbrella,' slated for a May 2006release, is set in Himachal Pradesh and revolvesaround an eleven-year-old girl's quest for a lostumbrella believed to have magical powers.

"The film is based on a story I wrote 20 yearsago. I knew some children there and wove this fablearound them," he said. "The umbrella is symbolic of what people want inlife. It's about how human generosity ultimatelyovercomes greed," Bond added.

However, this is not his first tryst withBollywood. Back in 1980, his novel 'A Flight ofPigeons' became the basis for Shyam Benegal'sacclaimed film 'Junoon.' But Bond may not have to wait too long for anotherrendezvous with the desi box-office.

"Vishal has evinced interest in making anotherfilm based on one of my horror stories. But right nowhe's busy with his film on Othello," the author told PTI. The only point of contention seems to be whetherBond's stories are scary enough in the 21st century.

"It's funny how children come up to me and saythey don't find my horror stories scary enoughcompared to the stuff they see today," the authorsaid. Although Bond hasn't been able to catch up onother films at the film festival, he's happy that IFFIis being held here.

"This would give me an excuse to come to Goaagain," he said. Born in Himachal Pradesh in 1934, Bond has writtenover a hundred short stories, essays and novels. His first novel 'The Room On The Roof,' writtenwhen he was seventeen, garnered the John LlewellynRhys Memorial prize in 1957. The acclaimed author alsowon the Sahitya Akademi Award in 1992.

Sunday, November 27, 2005

Film on Godhra leads to fracas at IFFI


Tony Tharakan

The world premiere of acontroversial film based on the Godhra riots, at theInternational Film Festival of India here, led to afracas inside the auditorium.

Filmstars Sarika, Om Puri could only stand andwatch as certain members of the 300-strong audienceraised slogans against director Rahul Dholakiafollowing the screening of his English film 'Parzania'. The persons alleged that the film was biased and portrayed "only the Hindu community in a bad lightholding them responsible for the Godhra riots."

"Has Dawood funded this film?" was one audiencemember's query, who called the director a"pseudo-secularist." Defending his movie, the director said thatdespite being a Hindu himself, he had merely narratedthe story of a family and "what actually happened" inthe aftermath of the Godhra carnage.

"Were I to make a movie on 9/11, I would showMuslim fundamentalists in it," Dholakia said.

Coming to the director's rescue, Om Puri who waspresent at the screening as a guest, said that peoplewere also against the movie 'Tamas' when that filmbased on Partition was released. "The difference between 'Tamas' and this movie isthat the state participated in the riots. The stateshould not be partial. That is what made it horrid.This is the reason why the BJP lost the elections," hesaid.

Urging people to keep their cool, Puri said thatalthough he respected the feelings elicited by themovie, people should not react to a movie in this manner. "You can write about it if you want and shareyour viewpoint," he said.

Speaking to reporters outside the hall, Sarika said the reaction was on expected lines. "This did not come as a surprise. We wereexpecting this reaction from some people even whilemaking the movie. However, I stand by the film," she said.

Inspired by the true story of a family's lossduring the infamous Godhra riots of 1992, the filmstars Sarika and Naseeruddin as a Parsi couple wholoses their ten-year-son Parzan to the riots. "I am not trying to make a popcorn movie herewith the theme of national integration. I am trying oshow things as they really happened. The son of theman who inspired this movie is still missing,"Dholakia said adding that he would like to premierethe movie in Ahmedabad.

The director also said that his film had got aCensor Board certificate without any problems, barringa few minor audio cuts. When asked whether the movie would reopen healingwounds, Dholakia compared the Godhra riots togangrene.

"If you ignore gangrene in your foot, you mighthave to finally amputate it," he said. According to Dholakia, the film costing Rs threecrores was shot in the span of 45 days using live syncsound, although the scripting and research took oneand a half years.

"We were not sure whether we will be able torelease the film in India, that is why I made it inEnglish. The entire riot-sequence was shot withhand-held cameras. We also used a lot of footage fromreal life," Dholakia said. (Nov 26)

Links:
Pusan International Film Festival, the largest and most prestigious film festival in Asia, has invited 'Parzania', a film by Rahul Dholakia, to have its world premier. (More)

I’m not making a commercial popcorn film where Hindus kill Muslims who kill them backbut in the end both come out with national integration flags.’ (More)

Thursday, November 24, 2005

Journalists stage walkout at IFFI press meet


From today, u can read reports on IFFI 2005 from Panaji, Goa. My friend and collegue Tony Tharakan is there in Panaji reporting for Press Trust of India.

Tony Tharakan
Panaji, Nov 24 (PTI) Hours before the curtain rises on the 36th International Film Festival of India, a press conference called to discuss media arrangements for the inaugural ceremony ended on asour note with several television and photojournalists staging a walkout.
Tempers ran high after organisers announced that television crews would not be allowed to carry cameras inside the high security INOX multiplex where the inaugural ceremony is scheduled to be held later today.
Refusing to heed Directorate of Film Festivals (DFF) Director Afzal Amanullah's pleas to maintainorder, irate scribes decided to boycott the press conference and staged a walkout.
According to an I&B ministry official, only the official television sponsor would be showing the livetelecast of the ceremony whereas other channels would have access to live and deferred live footage from outside the venue.
However, broadcast journalists were not pleased with the organisers' decision.
"We have been covering the film festival for years. Even when it was previously held in Delhi, wewere allowed to carry the cameras inside," a miffed TV journalist said.
"They expect us to go and keep our equipment somewhere and not even take responsibility for it. Weare not pirates. This is really unfair," he added.
The media walkout at the press meet is not expected to affect the IFFI inaugural ceremony as thejournalists have said they would be not be boycotting the function.
The inaugural ceremony today would be preceded by a carnival, which would include floats, culturalpageantry and other festivities.
Yesteryear actor Dev Anand will be the Chief Guest whereas South Indian cinestar Chiranjeevi will be the Guest of Honour at the function.
Union Minister of Culture and Urban Development Jaipal Reddy would be present at the opening ceremony with film actresses Bipasha Basu and Tara sharing the honour of being the 'Thali Girl' for the function.
The ten-day film festival would kick off with the screening of Brazilian film 'Olga'.

Indiaaaaaaaaaa 2020

the india of 2020

my friend leena forwarded this photo to me saying stop dreaming about india...
(sorry, i dont know who is the photographer or the artist who done the imaging).

Monday, November 21, 2005

Why Jehanabad?


Nandita Haksar

The dramatic jailbreak by the Maoists in Jehanabad has been front-page news in all the newspapers and lead story in the TV channels. I have been reading the papers and hearing the news coverage hoping to understand the reasons behind this extreme action by the Naxals. Every TV Channel showed a pamphlet that they distributed on the occasion that enlisted their demands. But no one gave us the details of those demands or commented on whether they were just or unreasonable.
The event is being looked upon as a problem of law and order. Discussions on the jailbreak center on questions of national security. In fact if we hear any discussions we only hear the views of various security agencies and the debates are all concerned with dealing with the "Naxalite problem". Some security experts even think it is problem linked to global terrorism.
In my opinion the problem is not with the naxalites but with the problems they seek to address. What are these problems? The naxalites were the first to focus on the adverse effects of big development projects on the poor. In fact it has been my privilege to represent several Naxalite leaders and organizations in the Supreme Court as well as in other courts. It was in the course of doing these cases that I learnt about the terrible conditions of the landless labourers, adivasi forest dwellers, dalits and urban poor. As a human rights activist I had an opportunity to travel to many parts of the country to document human rights violations by the State on the poorest citizens of our country.

I still remember travelling to Santhal paragnas in the 1980s to discover that thousands of adivasi miners had become unemployed after the nationalization of coal. As a protest they had organized themselves into Jan Mukti Morcha and started a peoples’ coal mine. That coal mine had better safety record than the neighbouring nationalized mine. In addition the Naxalites ran a school and a small dispensary. Their only demand was that the government to take over their mine and provide employment to the people. The mine ran for more than a year and then one day it was bull dozed, the leaders were all put into jail and the school and dispensary shut down. Is this justice?
Then there was the agitation by the Mazdoor Kisan Sangram Sangathan (MKSS) for land rights of the poor in Jehanabad. Once again the State responded with a police firing which resembled the infamous Jallianwala Bagh in more ways than one. Poorest of the poor died, some were permanently injured. I filed the case in the Supreme Court and the court did award some paltry sum to the victims of the police firing but how could they claim the compensation when the Government had banned MKSS and claiming the compensation would result in his arrest. Is this justice?
I have traveled to remote areas of Bihar and Jharkhand, Madhya Pradesh and Andhra Pradesh and more recently to Tamil Nadu, UP and Karnataka. I have been deeply impressed by the fact that the Naxalites are constantly learning from their past mistakes. In the beginning their emphasis was on individual annihilation today they are an integral part of open, mass organizations and democratic movements. They have shown a deep commitment to the cause of fighting the root causes of poverty, a dedication to constantly analyzing the causes of socio-economic injustice and courage to identify themselves with their fellow citizens. Many of the Naxalites give up the comfort of their homes to live in leach infected forests without food and with constant threat of arrest, torture or death.
It was their very real concern for the lives of ordinary people that they kept making announcements over a loud speaker to reassure them before carrying out the jailbreak. Is this concern about the safety of the people a reflection of a terrorist ideology? And yet the national media invariably equated the acts of the Maoists with the "activists" of the Ranvir Sena. In fact the naxalites are a part of the democratic movement for socio-economic justice while the Ranvir sena is an illegitimate militia supported by the State to crush the voice of the people.
The real question that we should all be asking is why do Naxalites have to conduct militant struggles to enforce the legal and Constitutional righ ts of our people? Why do people living next to a dam have no portable drinking water? Why do people living next to a gigantic steel mill have no employment and why are adivasi forest dwellers treated as thieves if they go their ancestral homes to gather minor forest produce.
The second question we should be asking is why do so many people support the naxalite movement and are willing to go to jail, suffer torture and even face police firings in support of the movement which has spread from four states in 1998 to 13 states in 2005?
Has this spread to do with the new economic policy that was introduced in 1990. A policy which has severely undermined the economic sovereignty of our country. It has resulted in making self respecting farmers into destitute. A destitution which has forced many of them to commit suicide leaving their wives and children on the edge of starvation. It is a policy which has disenfranchised millions of our citizens making the constitutional fundamental rights meaningless for them.
The dramatic jailbreak should be seen as an opportunity to address the problems of institutionalized poverty, injustice, oppression and exploitation. If we do not our national security is indeed in danger.

## Translation of Nandita Haksar's column in Hindustan, Hindi daily. Haksar is a senior Supreme Court lawyer

Al-Qaeda the Database Unbound


I was searching for something on the web and chanced upon this article in www.rinf.com

In a lengthy excerpt posted on Wayne Madsen’s site, Pierre-Henry Bunel, a former agent for French military intelligence, explains the origins of the word “al-Qaeda.” As previously noted by British Foreign Secretary Robin Cook, “al-Qaeda” has nothing to do with a terrorist organization, as the neocons and the corporate media tell us over and over, ad infinitum, but is in fact a database.

“In the early 1980s the Islamic Bank for Development, which is located in Jeddah, Saudi Arabia, like the Permanent Secretariat of the Islamic Conference Organization, bought a new computerized system to cope with its accounting and communication requirements,” Bunel explains.

“It was decided to use a part of the system’s memory to host the Islamic Conference’s database. It was possible for the countries attending to access the database by telephone: an Intranet, in modern language. The governments of the member-countries as well as some of their embassies in the world were connected to that network.”

Files associated to the database were called “Q eidat il-Maaloomaat” and “Q eidat i-Taaleemaat” in Arabic. “Those two files were kept in one file called in Arabic ‘Q eidat ilmu’ti’aat’ which is the exact translation of the English word database. But the Arabs commonly used the short word Al Qaida which is the Arabic word for ‘base.’” (For More Click Here)

Quake -- An opportunity for embedded journalism?

Friends

Here, I am reproducing an email I got last month. Being a journalist, I thought I should share this view with you. But sorry for not revealing the identity of the writer right now as I had not told my friend that I will be publishing his mail. SO READ on...


Dear friend,
Lies make the headlines; more so, when the dateline is a conflict zone. it hardly matters, even if the newspeg is a massive earthquake.

the impressions:
1 indian army is doing a great job, even if they'd lost 40 soldiers in the tremour.
2. things are so bad in PoK.
3. Indian army is taking care of help in IoK
4. confusion in rescue operations in PoKand so on...

And the star indain journalists who at the moment report with the IoK datelines are taken around in the army craft. just to name a few, Burka Dutt got all her visuals in her embedded trips. The Week's defence reporter, R. Prasannan was army's choice when one seat was empty in the military aircraft carrying tents from Delhi. just some thoughts. couldn't resist when a Kashmiri reporer on the ground sent this mail.
best A


('A' got an email from a Kashmiri reporter 'B')

Hi A,
Sriangar had a narrow escape. yeah it was too narrow. we shaked badly. BUt it is bad in the peripheries. from the news (indian) it seems that on this side of kashmir relief has reached to people and the government has moved in. I wish it were true.

For military/political reasons indian army is using indian media to spread this lies. There are at least 13 villages (cut off after the landslide) where outsiders haven't reached yet. Most of the people are without tents in the affected zone and it is raining and snowing over there.
Regards B

So friends... Its food for thought

Sunday, November 20, 2005

Counter Point: SANIA, KHUSHBOO AND MEDIA



Vir Sanghvi/HINDUSTAN TIMES

On Wednesday afternoon, Sania Mirza participated in a session at the Hindustan Times Summit in Delhi. Also participating were Narain Karthikeyan, the racing car driver, and Natalie Glebova, the current Miss Universe. I was the moderator.

Because the session was meant to be free-flowing, we touched on a variety of issues. About ten minutes into the discussion, however, it became apparent to me that the only person the audience wanted to hear was Sania. Narain is a nice guy but he’s been around for so long that most of us know what he has to say. And as for Miss Universe, well, she said what any Miss Universe would have been told to say by her minders.

Inevitably, the discussion turned to some of the controversies that have swirled around Sania. Because I did not want to needlessly hassle a 19-year-old girl by forcing her into a situation where she had to criticise Islamic clerics, I asked her only the most indirect questions about the controversies. (To read the complete story -- click on the headline)

Non-Hindu present, Guruvayur temple repeats pujas

Don Sebastian/Daily News and Analysis

THIRUVANANTHAPURAM: The famed Sree Krishna temple in Guruvayur on Saturday repeated pujas it did during the last five days after it found that a non-Hindu had been present in the temple.
After discovering on Friday evening that a non-Hindu was present during the five days, the temple authorities repeated all the 15 poojas that were conducted during that time in a marathon six and a half hour exercise on Saturday.

At Guruvayur, a Davis from Kuttimukku near Thrissur gave away his identity when questioned by temple warders. Apparently mentally deranged, he made a commotion in the temple when he jumped the queue for the palpayasam, the temple’s prasadam.

“Since he admitted he was a non-Hindu, we had to abide by the rituals. We handed him over to the police and they released him soon after that. He was neither fined nor charged with any offence,” Guruvayur devaswom deputy administrator PV Subramanian said on Saturday.
(To read the complete story -- click on the headline)